The night of Saturday, February 22, 2025 is already recorded in the annals of Torres Macarena like a mythical night of cante jondo. In the programming, a young girl who is still unknown to too many people who fill the capacity of the Peña. It is the first time that Consuelo has taken to this stage that has witnessed so much art, not to Seville, where she had already done it before, for example with her performance in the Peña The Chozas, which was also to remember. Still with the soul shaken and my taste so full, I am faced with explaining to you in words what happened yesterday.
Only two chairs on the stage. Consuelo Haldón is accompanied by the magnificent guitarist Antonio Carrion, the one who has played for the greatest thing that the history of the flamenco from the second half of the 20th century to the present day, and what remains. She takes her chair by the hand and Carrión begins to tune his guitar to give it the tone. Consuelo begins her performance from the deepest depths of the toná, with her perfect voice, with a tuning without error, an amazing voice placement, dominating lows, mids and highs with naturalness and strength. And that respect for the roots that every artist has to show. She is so young (Paymogo, 2007) and at the same time so mature that her attitude is surprising. The first cante The audience has already awakened the enthusiasm that they feel in their guts and they give him applause and cheers. The eyes of the audience are exchanged. What is happening? Well, it has only just begun.
A brief greeting to thank the board of directors of Torres Macarena that she has been offered the opportunity to sing tonight. She says little, she doesn't need more. We have to thank her for coming to give us her art. And she continues with cantiñas with the mirabrás, alegrías, the cantiñas of Pinini... to fill the space with the aromas of Cadiz with that salty rhythm that takes away all our duquelas. Consuelo plays with our feelings without realizing that she already has us in her hands.
Through soleá, enter fully into the greatest mystery of cante. That ability to transmit that comes from within, that natural way of feeling the canteYes, all of them, without artifice, showing their faces and their entire bodies the shudder that the letters contain. How is this possible? There are things that have no explanation. Consuelo Haldón has the gift, she has it from the cradle and she is very lucky to be able to express it.
Next to my mother
I tell you my sorrows
that I don't tell anyone.
The girl, because she is still a girl, is accompanied by the pillars that are shaping her path with wisdom and intelligence. Things in their right measure. Juan y Charo, his parents, who created this diamond for the Flamenco. And his tutor and guide teacher Manolo SierraWith their knowledge and infinite honesty they are carving out all the facets of this Cantaora, in capital letters.
Enraptured by the magnificent cantes por soleá, Consuelo immerses herself in the beautiful lyrics of the Canario's great malagueña, with an abandolao ending. What mastery of the bass, what well-measured thirds and what a way of rocking our senses.
The fountain
The Malaga is the source
that to you cante gave greatness
and pride for your people
because it has purity
and a little different touch.
«Por soleá, enter fully into the greatest mystery of cante. That ability to transmit that comes from within, that natural way of feeling the canteYes, all of them, without artifice, showing their face and their whole body the thrill that the letters contain. Consuelo Haldón has the gift, she has it from the cradle and she is very lucky to be able to express it.
And to finish, this first part, without letting us catch our breath, drives us to the heart with tientos tangos. Ole the finesse and the exquisite presence of this singer who was born to magnify the cantes. The struts of Torres Macarena are shaken, Pastora moves in the photos that flank the stageI almost seem to hear his cheers for this little girl who follows in his footsteps seeking to pay tribute to his memory.
The audience is excited. “Where have you dug to find this girl?” In youth, that is where what is to come in the future is hidden. Flamenco. Five cantes great in the first part. A little break so we can digest what we have just enjoyed.
The second part begins. Without warning, because Consuelo is one of those who announces what palo is going to sing, por seguiriyas. A shiver runs down our spines, the hairs stand on end.. You can't say more with so few words.
With what fatigue
I call my mother
and he doesn't answer me.
Tell my brother
that he writes me letters
that with knowing
who is still alive
I have more than enough.
Without fear, with all her courage, she dives into the depths of the petenera to call out with supplication to someone who will remedy her pain. The big one and the little one. Because she would like to deny this world entirely with that taste that it gave her. The girl with the combs this cante as beautiful as it is despised by many fearful creatures. Consuelo Haldón takes it by the throat without fear.
And now what? My goodness, what a night we've had! A stroll through the mines of La Unión with a repertoire of cantefrom Levante that take your breath away, from the mining industry to the taranto, passing through Cartagena.
Oh my God,
They are going to make me a driller
from the mines of the Union
and among you my companions
Oh, they're going to give me a lantern
because I have no money.
To our regret, we must now finish this grand recital, so well structured, with such well-chosen lyrics, cantes in such a perfect order, that one can only remember their land and sing fandangos, to leave in the mouths of the attendees a brave fandango in honor of the Peña Torres Macarena.
No, I have not forgotten the musical sensation with Antonio Carrión's guitar. Such a great communion was experienced between the two artists that Carrión's hands let fly a thousand and one of the most beautiful falsetas of this great guitarist. That hand in hand of beauty between music and voice, voice and music, which the two gave to each other to carry the cantethe highest spheres of perfection. Is it possible that they have only met three or four times and that they have not rehearsed? That is the magic of Flamenco, when there is what there has to be.
You may think I'm exaggerating and being a bit self-important. And I understand that. Nothing could be further from my intention. But a whole audience can't be wrong. Go and listen to her. This Paymogo diamond, Consuelo Haldón, deserves the highest stages.
Credits
Recital by Consuelo Haldon
Peña Flamenco Culture Torres Macarena, Seville
February 22th 2025
Cante: Consuelo Haldon
Guitar: Antonio Carrion