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MAGAZINE
  • MAGAZINE
  • News
    Mayte Martin. Photo: perezventana

    Fijazz fills Alicante de flamenco and jazz

    Calm down. Photo: Alhambra Beers

    Sosegá, a new palo flamenco in Granada

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    Mario Vargas Chloe Brule: A Show flamenco dancers

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    Diego Amador impregnates with flamenco classical piano writing

    'The Golden Age', by Israel Galván Company. XXIX Jerez Festival. Villamarta Theatre. March 6, 2025. Photo: Esteban Abion

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    Presentation in Marbella of the Ballet's production 'Tierra Bendita' Flamenco from Andalusia. Photo: Andalusian Agency of Cultural Institutions

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    Fernando de la Morena. Photo: Miguel Ángel Castaño

    To Fernando de la Morena, to the propitious rhythm of memories

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    Recital by Jesús Flores with Juan Torres. El Gallo Flamenco Cultural Gathering, Morón de la Frontera, Seville. May 10, 2025. Photo: Kiko Valle

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    recital of cante of Cancanilla of Malaga. XXXV Flamenco Giraldilla of the Peña Flamenca Pepe Montaraz from Lebrija. April 22, 2025. Photo: Kiko Valle

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    Antonio Carrión celebrated his 50th anniversary on stage in Madrid with a moving tribute.

    Inés Bacán and Antonio Moya. Allegro Ma Non Troppo, Seville. April 12, 2025.

    Inés Bacán or the pellizco infinite

    Helga Molina, Emilia Rodríguez, Mariángeles Cerrejón, Carmen Arjona, Trinidad Navarro, and Loli López. Exaltation of the Saeta, Peña Flamenca Huelva Women's Championship. April 10, 2025. Photo: Jesús Naranjo

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    Gypsies with 'Fundamento', from India to Utrera and Jerez

  • Interviews
    Professor Juan Francisco Cara, with the stories 'Once upon a time... Bulería'.

    Juan Francisco Cara: "We want to awaken young people's curiosity about their cultural roots."

    María La Mónica and Adrián Trujillo. Presentation of 'Amisuri'. Photo: Chiclana City Council

    María La Mónica: "It's a shame we go to Google before asking our grandparents."

    Manuel Fernández Montoya 'El Carpeta'. Photo: Instagram Carpeta

    El Carpeta: "I'm saving the tour I couldn't do with Paco in my email, but I can die in peace."

    Pedro Ruy-Blas (Madrid, 1949): singer, drummer, composer, and actor. Photo: Facebook Ruy-Blas.

    Pedro Ruy-Blas: "I'm bored by Paco de Lucía's idyllic vision; I prefer a human being brought down from his pedestal."

    Israel Suarez 'Piraña', with Paco de Lucia and Antonio Sanchez. Photo courtesy of Piranha.

    Piranha: «Paco could have been in the shack of the most gypsy basket-wearers and the next day eating with the king of Spain»

    The guitarist from Elche, José Torres. Photo: Gallery 64.

    José Torres Vicente: «My project explores what jondo from the do-it-yourself culture»

    Edmon Colomer. Photo: Edmon Colomer website

    Edmon Colomer: «Paco de Lucía, without reading music, solved very difficult problems for classical guitarists»

    Ildefonso Vergara, in Altozano, Triana. Photo: perezventana

    Ildefonso Vergara: «There is no medium that offers so much to the flamenco like the radio»

    Sandra Carrasco, award Expoflamenco for best album flamenco in 2024.

    Sandra Carrasco, award Expoflamenco for best album flamenco in 2024.

    José María Bandera: «Paco de Lucía is a great bus that we all end up getting on»

    José María Bandera: «Paco de Lucía is a great bus that we all end up getting on»

    José Carmona, at Tablao Torero, Madrid. Photo: Ale Luque

    José Carmona: «Working with Paco de Lucía gives you enormous status»

    Carmen Doorá and Ángel Dorao. Photo: José Montes

    Carmen Doorá: «The copla is extremely important in our identity»

  • Authors
    • All
    • A bare rope
    • At street level
    • With one more couplet
    • Of Guitar Players Ways
    • Estela Flamenca
    • Flamencos of the border
    • The chosen ones
    • Flamenco Room
    • A window to the cante
    The Sevillian actor Paco Tous.

    Paco Tous, depth on the big screen

    Marisol, Eva, and Joaquín Encinias. Festival Flamenco Albuquerque, New Mexico. Photo: FFA

    Go Alburquerque!

    Composer Feliciano Pérez-Vera. Image: video capture

    A sentimental journey to the heart of the Sevillanas

    'Fuenteovejuna', by Antonio Gades.

    Premiere at the Carlo Felice – The Things (XVI)

    'Authentic Flamenco': the team flamenco that conquers the US this summer

    'Authentic Flamenco': the team flamenco that conquers the US this summer

    Mario Vargas Chloe Brule: A Show flamenco dancers

    Marco Vargas & Chloé Brûlé: poetry in motion

    Cristina Hoyos.

    Cristina Hoyos, ethics and discipline

    Carmen Linares

    From poem to cante: a magical symbiosis (and II)

    Detail of the Musical System of the Flamenco, by Faustino Núñez.

    History flamenco: tree or vine?

    Julianna Ro: in step on the catwalks

    Julianna Ro: in step on the catwalks

    Romerito de Jerez receives the Gold Insignia of the Peña Flamenca Uncle José de Paula. Photo: FB Peña Uncle Joseph

    Cultural ritual that defines flamenco

    From poem to cante: a magical symbiosis (I)

    Javier Barón: a first time with the weight of history

    Javier Barón: a first time with the weight of history

    Don Antonio Chacón.

    How traditional music dissolved in the flamenco

    Manuel Fernández Montoya 'El Carpeta'. Photo: Instagram Carpeta

    El Carpeta: "I'm saving the tour I couldn't do with Paco in my email, but I can die in peace."

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The Cajasol Foundation presents Thursdays Flamencos 2025 and the II Awards of the Flamenco Cajasol

The lineup includes ten shows that will be held between May and November at the Cajasol Theater in Seville. Performers include Juan Tomás de la Molía and Águeda Saavedra, Concha Vargas and Inés Bacán, Arcángel, Andrés Barrios and El Yiyo, Miguel Ángel Heredia, Mercedes de Córdoba, El Perrete, Pedro Sierra, and La Tobala.

Expoflamenco by Expoflamenco
April 23th 2025
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Thursday Presentation Flamencos 2025. Photo: Cajasol Foundation

Thursday Presentation Flamencos 2025. Photo: Cajasol Foundation

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La Cajasol Foundation has presented this Wednesday, April 23 at its headquarters in Sevilla the programming of the Thursday Flamencos 2025, one of the oldest and most established cycles on the Andalusian cultural scene, which each year places the flamenco at the center of its cultural agenda.

The event included the intervention of the president of the Foundation, Antonio Pulido, the dancer and visual artist Julia Acosta, author of this edition's poster, as well as a representation of the artists that make up the program by Rosario La Tremendita, Francisco Escudero El Perrete, Mercedes de Córdoba and Pedro Sierra.

Antonio Pulido He highlighted during the presentation that “on Thursdays FlamencoThey are one of our most emblematic cultural bets, which for more than a quarter of a century have been bringing the flamenco to all audiences with a proposal faithful to our roots, but open to the evolution of the genre. Preserve and disseminate the best flamenco It is one of our priorities, and we do it with the same passion and enthusiasm with which we started this cycle more than 25 years ago.”

guitarist Peter Sierra, in charge of putting the finishing touch to the cycle, has highlighted that it is “a very balanced poster, which will show the different ways of understanding the flamenco".

For its part, Rosario La Tremendita has offered some brushstrokes of his artistic proposal, conceived as "a journey to the roots, through all the cantetraditional ones of my house, of my family, of the history of the flamenco".

The dancer Mercedes of Cordoba presents a show that he defines as “an autobiography, a thank you for all that life dedicated to dance, and a compilation of the most significant numbers I have performed throughout the history of my company.”

Finally, the young singer Francisco Escudero El Perrete, after its appearance at the Biennial of Flamenco, arrives on Thursdays Flamencos with “a work in which I capture my life through the cante, the touch and the rhythm, from a very personal way of understanding art,” he explained.

 

«The Cajasol Foundation renews its commitment to the flamenco as living cultural heritage and as a driving force of identity for Andalusia. Once again, Thursdays Flamenco"They will transform the Cajasol Theater into a meeting place with the roots, talent, and emotion of our most universal art."

 

This year's lineup brings together a total of ten shows, which will be held between the months of May and November in the Cajasol Theatre Seville, and which cover the three fundamental disciplines of flamenco: cante, dance and guitar. As usual, the series brings together established artists and emerging voices, in a combination that reflects the plurality, richness and evolution of the flamenco figure.

The programming will start on May 15 with Rosario La Tremendita (Origin), which will be followed by fabi (Fruit and flowers, May 22), Juan Tomás de La Molía and Águeda Saavedra (Interpersonal, May 27), and Concha Vargas and Inés Bacán (Lebrisah, June 12), in the first part of the cycle that stands out for its expressive power and the authenticity of its proposals.

After the summer, the cycle will resume on September 25 with Archangel (Smell of earth), followed by the joint proposal of Andrés Barrios and El Yiyo (Andrés Barrios & El Yiyo, October 2), Miguel Angel Heredia (Heredia, October 9), Mercedes of Cordoba (I dance, therefore I am, October 30), Francisco Escudero El Perrete (cantaor, November 13), and will close with Peter Sierra (Crying flamenco of the guitar, November 20), accompanied by The Tobala as a guest artist.

One of the main new features in this edition is once again the poster announcing the cycle, the work of the flamenco dancer Julia Acosta, born in San Fernando (Cádiz), with an outstanding career in both Ballet Flamenco from Andalusia, as well as in collaborations with top-level artists such as Estévez y Paños, Ana Morales, and Eduardo Guerrero. His foray into the visual arts brings a fresh, contemporary perspective to the series that resonates with the spirit of this annual event.

During the presentation, the celebration of the II edition of the Awards Flamenco Cajasol, created last year to commemorate the 25th anniversary of the cycle. These awards recognize the careers of artists in the categories of cante, dance, and guitar. The awards ceremony, which will take place in the fall, will combine institutional interventions with live performances and conclude with a gala dinner in the courtyard of the Foundation's headquarters.

The Cajasol Foundation renews its commitment to the flamenco as living cultural heritage and as a driving force of identity for Andalusia. Once again, Thursdays FlamencoThey will transform the Cajasol Theater into a meeting space with the roots, talent and emotion of our most universal art.

Tickets for all shows will be available at the Cajasol Foundation box office or through the official website. www.fundacioncajasol.com Starting Wednesday, April 30th. All shows will begin at 20.30:XNUMX p.m.

 

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Tags: cycle flamencoCajasol FoundationII Awards of the Flamenco CajasolThursday Flamencos 2025
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